Saturday, December 11, 2010

Rash... More Condition_symptoms

screening of the movie do you know me. Join the director Valerio Jalongo


The show Italy is not seen nationally organized UCC and in the province of Viterbo AUCS Arci and closes the session in December with an important meeting for reflection on the crisis in cinema and cultural policies in Italy. Join Jalongo Valerio, director and star of the movement Centoautori, which has always defended the quality and capacity of the national film production. His last ... movie School's Out.
The director will also attend a scheduled meeting on December 16 at the Cultural Heritage, which will address the theme of the decline of the promotion of cultural policies in Italy.



THE FILM "Of what do you know me" begins as an investigation into one of the many mysteries of the seventies. But unlike other Italian mysteries without solution, here there are no bodies, no murder. But there is a sudden, rapid decline of a film that for decades has dominated the international scene. How could this happen? Who or what killed the great Italian cinema? This question takes us on a journey rich in valuable and original thinking: Mario Monicelli by Wim Wenders, from Dino De Laurentiis to Andreotti, Ken Loach and many Italian directors.
include interviews, archival material and clips from famous movies, the survey begins by retracing in reverse the fortunes of our cinema in the Seventies by identifying the turning point for a film that, from the neorealism on, had not only achieved international recognition and prestige, but also excellent commercial success both at home and abroad.
In the midst of such desolation emerges almost heroic figures, as the intrepid manager of the historic movie theater in Milan that Mexico has taken in planning for months "The Wind Blows Round" by George Straight, eldery projectionist walking Calabria, or Lucan the collector who has collected over the years in an old barn thousands of rare films. Among the many pieces of the puzzle that make up the crime perfect perpetrated on Italian cinema, the film also reminds us of an episode Jalongo almost forgot: the legal battle for advertising movies on television, which saw some oppose directors, including Fellini himself to television channels owned by the ' Current President of the Council.
Entrance 4 €, reduced tile arch and university students
2.50 For info: arciviterbo.blogspot.com
culturavt@arci.it
http://www.youtube.com/wat ch? V = YmRoi_BI - The

0 comments:

Post a Comment